Thursday, April 30, 2009

Points of Departure






Lightbulb! I am beginning to get the point of studies as a great place to explore an idea before committing to a larger canvas. Although I experiment and play [alot] I rarely use these as reference for larger work-- it just never occured to me. It was like the blank canvas was always a place for something new, open to possibilities. I've never been a planner-- and I accepted a long time ago the consequences of that being work that is strange and surprises me which is good in my world--but with my random approach there are also alot of false starts. But lately I am finding that it is really helping to play with these smaller canvases to find out what might happen if I did this or that before I do it on the larger work. And once I have a study worked out- usually in several different approaches, I am making better decisions about what is going to work or not work... Now when I take on the larger pieces, the studies are points of departure and I can still let the work develop into what it is going to become, instead of copying or repeating larger where I've already been smaller, but it seems like my trust in where I'm going is surer. I am learning so much through theses studies-- I love my job!

3 comments:

Kim said...

I love your job, too! These study pieces are alway a good way to work out technique for me. I know what you mean about starting each piece fresh, but I think this idea of doing something smaller in order to bring the technique and quite possibly an idea is really wonderful. The same is true with taking crops from a larger piece to expand upon as Andrea has been doing.

This is really lovely to be able to have your thoughts on processes. You are quite an inspiration in a lot of ways you probably don't even realize!

Thanks Elis and have a Wonderful, Creative Weekend!

Seth said...

You are on fire with this new series. Quite special and unique!

Dianne said...

Hi Elis,
I have been thinking just the same thing! I think, although I love to see what comes of completely spontaneous mark-making, I think a little planning would be helpful and less time-consuming. As you say, the smaller work can be a spring-board for the larger work and for me is only a beginning. The painting always takes on a life of its own as it progresses. Thanks for expressing your thoughts, I really find them so thought-provoking.